Showing posts with label the uncanny. Show all posts
Showing posts with label the uncanny. Show all posts
Sunday, February 09, 2020
Sunday, October 13, 2019
Sunday, October 14, 2018
Week 41 10/14/18
Creativity is often directed by silent, powerful forces.
These influences are interwoven with the arc of history. They are always present, and waiting to be made manifest through individual ideas and actions.
These influences are interwoven with the arc of history. They are always present, and waiting to be made manifest through individual ideas and actions.
Tuesday, December 27, 2016
Vision and Risk
With authentic change, unexpected opportunities arise.
Those capable of expressing these cultural phenomena will be the first to recognize and realize them.
Ambimusica.com
Tuesday, December 13, 2016
Singularity of Form and Content
Ubiquity and saturation have reduced all media to a nugatory state.
Feigned interest is the rule of the day. One can no longer say, such and such a thing is "marvellous", or "unique", Availability and repetition renders even the finest forms commonplace, mundane, and, to some extent, regardless of quality, banal.
Those seeking authentic representations of experience must discover expression that is sui generis, uncanny, unexpectedly original, and transformational. One must go far beyond externals to do so.
Feigned interest is the rule of the day. One can no longer say, such and such a thing is "marvellous", or "unique", Availability and repetition renders even the finest forms commonplace, mundane, and, to some extent, regardless of quality, banal.
Those seeking authentic representations of experience must discover expression that is sui generis, uncanny, unexpectedly original, and transformational. One must go far beyond externals to do so.
Saturday, December 10, 2016
Near Distances
Where the commonplace ends, risk begins.
Discover the unseen, and find sounds unheard.
Ambimusica.com
Friday, December 09, 2016
Illuminate
As the eye is opened, so the ear is filled, expanding awareness.
To drive perceptual acuity down to narrow limits is absurd. One sees the world, listens, and hears, beyond the contexts of art and music.
This is elevation, of aesthetic insight and individual consciousness.
To drive perceptual acuity down to narrow limits is absurd. One sees the world, listens, and hears, beyond the contexts of art and music.
This is elevation, of aesthetic insight and individual consciousness.
Thursday, November 24, 2016
Expansion, Diminishment
Some define the role of the composer as an author or creator of "art" as "serious music".
While this may be useful to certain people, and particularly those who adhere to general cultural norms related to music, it is a view that is inimical to wide-ranging perspectives on art and sound.
These latter viewpoints cannot be conveniently restricted or labeled, but they are in many ways notable as modern, dynamic, individualistic, and avant-garde, though these terms simply suggest starting points for an aesthetic understanding those bound to the former are unlikely to pursue.
Ambimusica.com
Wednesday, November 23, 2016
Space Time Sound
Envision, generate the sonic palette, and compose according to the idea that it is the virtue of the vessel to be filled. From these simple fundamentals, approach new sonic atmospheres.
Ambimusica.com
Thursday, November 03, 2016
Listen, and Hear
Language is music, laden with meaning.
Every perceptible sound is charged with intimations of equal moment, if we can but read them.
Every perceptible sound is charged with intimations of equal moment, if we can but read them.
Tuesday, November 01, 2016
Artist and Medium
Control what is possible, let go what will be fulfilled beyond interference.
This is the virtue of gesture, the reward of practice, and the fruit of experience.
Ambimusica.comTuesday, October 18, 2016
Order and Flux
Reality is unchanging, though perspectives alter any understanding, and much remains unknown.
Culture and society form a continuum of change that constantly evolves beyond the grasp of historical perspectives as the heretofore unimagined becomes commonplace.
But as ways of life, art, and expression, these are subject to unchanging reality.
Culture and society form a continuum of change that constantly evolves beyond the grasp of historical perspectives as the heretofore unimagined becomes commonplace.
But as ways of life, art, and expression, these are subject to unchanging reality.
Wednesday, October 12, 2016
Saturday, June 11, 2016
Saturday, May 21, 2016
Friday, May 20, 2016
Remote, Immediate
Dissipated force of what has been does not become more, and is lost.
Loss of this nature is complete, and permanent. One understands that such things, people, and events impacted reality and culture in ways no longer evident, and that they are increasingly becoming entirely obscure. At a certain point it will be as if they had never existed.
The artist who creates to evoke the uncanny seeks outcomes at a far remove from such scenarios.
Loss of this nature is complete, and permanent. One understands that such things, people, and events impacted reality and culture in ways no longer evident, and that they are increasingly becoming entirely obscure. At a certain point it will be as if they had never existed.
The artist who creates to evoke the uncanny seeks outcomes at a far remove from such scenarios.
Thursday, May 19, 2016
Saturday, May 14, 2016
Tuesday, May 10, 2016
Impress, Artifact, and the Windblown
Even realism is a stylized reflection.
The realism I strive for in my compositions and recordings is perceptual in nature, that is to say, it reflects how environments develop their impressions upon the listener within one's aural field.
The total effect is neither music nor directly perceived atmosphere, but the former structured as the enhancement of the latter's subtle forms, patterns, and movements.
The realism I strive for in my compositions and recordings is perceptual in nature, that is to say, it reflects how environments develop their impressions upon the listener within one's aural field.
The total effect is neither music nor directly perceived atmosphere, but the former structured as the enhancement of the latter's subtle forms, patterns, and movements.
Friday, May 06, 2016
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