Saturday, February 20, 2016
Friday, February 19, 2016
Reversals
Hubris engages the pursuit of nemesis.
Thus are fortunes changed in the Greek tragedies, and the mighty decline and fall.
These are cautionary tales of cultural moment and permanence. In the mind's eye, Icarus against the sun, Orpheus turning at the threshold of the underworld, crying out "O Eurydice, look upon the world I have won you back to!"
The artist must live in reality, regardless of the ways in which worlds and visions might be expressed and represented through artistic works. To do otherwise invites disaster, arrayed in myriad forms.
Thus are fortunes changed in the Greek tragedies, and the mighty decline and fall.
These are cautionary tales of cultural moment and permanence. In the mind's eye, Icarus against the sun, Orpheus turning at the threshold of the underworld, crying out "O Eurydice, look upon the world I have won you back to!"
The artist must live in reality, regardless of the ways in which worlds and visions might be expressed and represented through artistic works. To do otherwise invites disaster, arrayed in myriad forms.
Thursday, February 18, 2016
Look, and Regard
Art, of every variety, establishes links, connections between realities and perspectives.
Nonetheless, it is dangerous to assume the mere appearance of a thing is, in fact, the reality. What is necessary, for art, and its adherents, to thrive is the ability to discriminate between the two. This is depth of vision, and an understanding of a central element of reason, one essential to an engaged and perceptive life.
By no means does such critical understanding exist as natural insight. It demands thought, and the discipline required to take a full measure of objective facts. It is also incompatible with acting in a state of unselfconscious ignorance or in the easy yolk of subjection to ideological cant. Yet these are common points of view reflecting, predictably, common hubris, particularly among the highly, yet poorly, educated. Little can be done for those who fear questioning the foundations of their own self-regard, even through the ministrations of the arts-- fine, popular, or otherwise.
Nonetheless, it is dangerous to assume the mere appearance of a thing is, in fact, the reality. What is necessary, for art, and its adherents, to thrive is the ability to discriminate between the two. This is depth of vision, and an understanding of a central element of reason, one essential to an engaged and perceptive life.
By no means does such critical understanding exist as natural insight. It demands thought, and the discipline required to take a full measure of objective facts. It is also incompatible with acting in a state of unselfconscious ignorance or in the easy yolk of subjection to ideological cant. Yet these are common points of view reflecting, predictably, common hubris, particularly among the highly, yet poorly, educated. Little can be done for those who fear questioning the foundations of their own self-regard, even through the ministrations of the arts-- fine, popular, or otherwise.
Wednesday, February 17, 2016
Tuesday, February 16, 2016
Monday, February 15, 2016
Time Past. Time Present. Time Future.
Time present and time past. Are both perhaps present in time future. And time future contained in time past. If all time is eternally present.
from BURNT NORTON (No. 1 of 'Four Quartets') by T.S. Eliot
from BURNT NORTON (No. 1 of 'Four Quartets') by T.S. Eliot
Published on Feb 15, 2016
Filmed among modern ruins in Caroline du Nord.
Arranged and Performed by Moderan
Vocal by Dr. S.G. "Trashpile" Hunter, Antiquary.
Words & Music © by David Bowie
from "The Rise And Fall Of Ziggy Stardust And The Spiders From Mars" (1972)
Licensing: Harry Fox Agency
TINTORETTO MUSIC
CHRYSALIS MUSIC GROUP INC DIGITAL ONLY
EMI MUSIC PUBLISHING LTD.
Sunday, February 14, 2016
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