Saturday, March 28, 2015
Friday, March 27, 2015
Cognizance, Awareness
Among the things the artist can control are perspective, execution, symbolism, and tone.
Among those things the artist cannot control are the opinions and perspectives of others. But this is not an issue. What matters is the creation of artistic representations in any media that convey, with clarity, the reality of experience.
Among those things the artist cannot control are the opinions and perspectives of others. But this is not an issue. What matters is the creation of artistic representations in any media that convey, with clarity, the reality of experience.
Thursday, March 26, 2015
Wednesday, March 25, 2015
Experience, Imagination
Find the sonic atmosphere free of interference, as it is, without expectation or musical bias.
Create the objective semblance of such an atmosphere with manipulations of sound media, strictly in the form of auditory imagery. Having gained this understanding and expertise, reveal atmospheres perceived with the inner ear.
Create the objective semblance of such an atmosphere with manipulations of sound media, strictly in the form of auditory imagery. Having gained this understanding and expertise, reveal atmospheres perceived with the inner ear.
Tuesday, March 24, 2015
Monday, March 23, 2015
Sunday, March 22, 2015
In and Out of Place
In musical terms the idea of order relates to a perceptual recognition of sequences.
Such sequences are critical even in the most complex works, and represent exquisite degrees of human design. These arrangements of musical elements are systematic and purposeful.
Nonetheless, alternatives to these designs need not produce chaos and noise. They may instead be composed as representations of any number of processes of objective reality for which there are no human equivalents, specifically such things as the motion of atmospheric currents, tidal ebb and flow, erosion of stone, and other phenomena.
Such sequences are critical even in the most complex works, and represent exquisite degrees of human design. These arrangements of musical elements are systematic and purposeful.
Nonetheless, alternatives to these designs need not produce chaos and noise. They may instead be composed as representations of any number of processes of objective reality for which there are no human equivalents, specifically such things as the motion of atmospheric currents, tidal ebb and flow, erosion of stone, and other phenomena.
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