Working

Currently in Phoenix.

In Transit

Currently in Sedona.

Sound Settings

In the course of the day, through changing environments, sound effects perception.

Moods alter, pace changes, activity unfolds, and sound events are actively engaged or go beneath notice. In either case the atmospheric sound, or music, or noise, influences thought and emotional state of being.  Given the familiar pressures of contemporary life, I am particularly interested in long-form, naturally evolving sound works that contribute to a sense of reflective equanimity.

Style

Simplicity leads to clarity.

Complexity yields beauty in elaboration.

In sound art, both spareness and intricacy are complementary; when brought into equilibrium, each force elevates the other, whether in contrast or conjunction.

Emergence II

Sound creation utilizing the common musical elements is based upon principles of control.

Control, as William Burroughs rightly observed, leads to more control.

The way of reality is that of changing events wrought by innumerable causes that yield diverse and continuous effects. For the artist as composer, this implies the necessity of critical balance between gesture, or creative action, and purposeful design in bringing about aesthetic intentions.

Beauty represents not only vision, but grace as well.

Foundation

Historical forces, cultural norms, critical journalism and the like all impact the arts.

But only the artist has the powers of choice and expression, and these cannot be taken by force, only surrendered by consent.

Essence Reflected in Action

Gesture, as an expression in sound, focuses on inference, or poetic suggestion.

Rather than the act of reproducing specific sound events, the aural gesture conveys an impression of the composer's perception of a subject.  The track "Motion and Repose", for example, was conceived as a representation of a particular time and place-- on a hillside, by a river in autumn-- but in its final form the combination of tones and shading affords the listener an imaginative atmosphere that can be complementary to any serene environment, whether indoors or outside.

Black Mountain School MP3 Editions Link

Compatible with iPod, iTunes, Windows Media Player and other MP3 Players.

Also in CD format.

Exclusive Distribution by Amazon.com

© The Crucibulum Media Recording Label; Crucibulum Publishing (ASCAP) All Rights Reserved.

Equipoise and Energy

Work requires patience.

Clarity of concept does not always assure ease of execution.  Work must be focused; it cannot be forced.

Artist as Composer

Listening involves innumerable frames of reference.

Beginning with personal experience, the listener interprets sound according to cultural and sub-cultural attitudes, biases, and individual preferences.  Musicians and performers are naturally particular in their tastes, especially in creative songwriting, arranging, and things of like nature that appeal to them and their audiences. These are scenarios related to the concepts and values associated with music of all types, yet there are other ways and means of working creatively with sounds that also yield aesthetic meaning and purpose for composer and listener.

My experience leads me to acting outside the organizational patterns associated with most music, and working from a perspective similar to that of a painter or sculptor in designing and executing recorded works.

Rain, Heard at a Distance

Imagination and perception shape point of view.

The reality of sound is such that it heightens alertness and evokes emotional responses, suggests imagery and stimulates memory, yet retains its objective existence.

The art of sound, like the language of poetry, emerges in consciousness with the suggestion of infinite possibilities.

Form and Mind in Sound

The effects of sound encompass atmospheres and states of mind.

Atmosphere and setting establish external appearances while engaging the emotions and intellect, thus the elements and tones of specific pieces of music, or of the sound environment in general, contribute to both mood and perceptual awareness.

The composer chooses to create accordingly, and the listener to experience.  From my peculiar perspective, I am interested in developing compositions that convey equanimity, elevation, and balance.

Landscape, Still Life, Atmosphere

In accord with the principle ideas of the visual arts, the artist as composer works to attain the ends of artistic expression through sound productions and recordings.

The first principle is that of work.

Such productions are not the result of innate gifts of inspiration bestowed, as "celebrity culture" might lead some to believe, at birth. The artistic outcomes under examination here are those that come into being through prolonged labor, study, and effort, and they are manifold.

As the traditional painter is often engaged in the imitation of nature, as the impressionist is focused upon sensory perceptions such as fluctuations of light and color in changing conditions, and as the abstract expressionist is concerned with gesture and energy, so is the composer of sound art and aural atmospheres intent upon animating sonic forms through applications of these-- among many other-- essential aesthetic concepts.

These concepts are learned, practiced, developed through action, experimentation, and risk-taking, and only then may they appear, indeed, effortless.

Form and the Formless

Generic musical styles are neither wholly individual nor idealized representations of type.

These are not works emerging into form, being structures in the manner of existing compositions and productions. Enjoined by common expectations to specific stylistic configurations, they are nonetheless depleted of the marked and determined character that made their various inceptions startling.

Expectation leads merely to its fulfillment; for artist as composer, the unknown becomes what it will in the crucible of aesthetic vision and principle.  Risk and failure are nothing when the reward is beauty and elevation, and neither gold nor spurious immortality match them in value.

Wave to Mind II

Social and cultural narratives feed expectations for living.

When these narratives are in opposition to the evidence of the senses and the virtues of reason, there is only one choice for the artist, that of integrity or capitulation.

Resistance

There is a totalitarian perspective regarding art that consigns it to representations of approved beliefs, extending even to methodologies that can and cannot be implemented in the creative process.

When such an oppressive view is pervasive within social and cultural contexts, the artist is no less bound to think and act according to principle, and to create in spite of any of the manifestations of ignorance, apathy and enmity that would obstruct clarity and fullness of expression.

Intuitive Expression

Consider art as a foundation for understanding meaning.

The artist perceives, expresses, and thus gives a sense of experience.  By nature an imperfect voicing of consciousness, the work is nonetheless a contribution to awareness of the human condition.

Sound Spaces

Sound and environment contribute in equal measure to the listening experience.

This balance is as important to the composer in the process of creation as it is to the listener in creating conditions conducive to the enjoyment of music.

It is essential to the aesthetic of sound composition as a form of artistic expression.

Reach Forward

The ability to communicate over vast distances is a mark of advanced technology.

The value of the information that is conveyed is a mark of culture.

If it is the only the abstract things that are permanent, this means nothing to one who cannot conceive them, but who functions almost solely on a concrete, materialistic level of understanding the world.

Art is what it will be, whether a shallow reflection of decline or a force of virtue and reason.

Future Echoes

Begin with that which is not possible.

Walls are breached, and doors opened, through imagination and action, reason and free will.  It is not up to the artist to say what will be, but to work to bring that idea, concept, vision or sound into being-- impossible or not.

Shading and Divergence

Vibrations strike the ear and unfold within consciousness.

 Nuance of sound is as varied as that of color, revealing the flux of reality.