Showing posts with label Walter Pater. Show all posts
Showing posts with label Walter Pater. Show all posts
Tuesday, February 16, 2016
Friday, February 12, 2016
Thursday, February 11, 2016
Observations Untold
Cultural loss is, to some degree, inevitable.
Visible artifacts remain, and with them, the suggestion of sensory impressions, every one vague and mysterious, beyond reach for millennia.
No finely-considered speculations will recreate "music" of uncertain realities long extinct, but, with the contemplative spirit of the aesthetic sense, it is possible to hear, and express, reflections upon the tonal environments and atmospheres in which these artifacts were conceived.
Visible artifacts remain, and with them, the suggestion of sensory impressions, every one vague and mysterious, beyond reach for millennia.
No finely-considered speculations will recreate "music" of uncertain realities long extinct, but, with the contemplative spirit of the aesthetic sense, it is possible to hear, and express, reflections upon the tonal environments and atmospheres in which these artifacts were conceived.
Tuesday, February 09, 2016
Thursday, February 04, 2016
Tuesday, December 22, 2015
Lines of Demarcation
One link to Time Past and Time Future is tradition.
Observation of tradition and its elements, as an analytical means to understanding, is neutral in nature. In the simplest of artistic terms, tradition may be expressed through a variety of media according to the sensibilities of the individual artist. What is not neutral is the artist's attitude toward tradition.
Typical attitudes are those of respect, realistic acknowledgement, or contempt. These are revealing, in that they indicate whether the artist places greater value upon the work, or upon other things such as ego, social status or ideology. The astute viewer or listener cannot fail to detect such expressions and their impact on the total effect of any work.
Observation of tradition and its elements, as an analytical means to understanding, is neutral in nature. In the simplest of artistic terms, tradition may be expressed through a variety of media according to the sensibilities of the individual artist. What is not neutral is the artist's attitude toward tradition.
Typical attitudes are those of respect, realistic acknowledgement, or contempt. These are revealing, in that they indicate whether the artist places greater value upon the work, or upon other things such as ego, social status or ideology. The astute viewer or listener cannot fail to detect such expressions and their impact on the total effect of any work.
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