Showing posts with label The King Krill. Show all posts
Showing posts with label The King Krill. Show all posts

Wednesday, January 27, 2016

Asymmetric Effect

Predictability is toxic.



It is the death of art, and ultimately of culture. It is written on the stake driven through the heart of American rock music; it is the nemesis yet of American jazz, and of the global avant-garde, not only in music, but in every field of cultural endeavor.  Even so, innovation is quietly suppressed, or damned with faint praise, in the erroneous, elitist belief that the listener lacks the intellectual and emotional wherewithal that is necessary for forward-thinking, or, worse, that the listener is little more than a mindless consumer whose dull appetites must be directed toward the "just" ends of a kind of (commercially acceptable) political correctness.

As composer and artist, I respect the listener, and am not subject to such grotesque errors.  And thus it is that I have spent four decades pursuing and perfecting compositions and recordings that cannot be forced into a mold or followed to inevitable conclusions, even with- no, especially with- repeated listening.  I will not compromise.  I do not expect less of my listeners.

Thursday, April 11, 2013

Art as Sound as Art: The King Krill

As discussed here in variable contexts, diverse sound elements may be presented in asymmetrical manner, designed in ways that defy anticipation.  The King Krill is a recording by Diode and Rick Holland that synthesizes unique elements of poetry, vocals, percussion and electronica to create an experience of rare aesthetic beauty.  This is a work that draws the future into the moment now.


Listeners familiar with Drums Between The Bells and Panic Of Looking, Rick Holland's 2011 collaborations with Brian Eno, will note the distinctive qualities shared by those works and The King Krill in combining musical and poetic elements. Each approaches and explores sound settings for voices from various artistic perspectives that bring to life diverse atmospheres and moods, and all three reflect creative interaction and experimentation seasoned over the past decade. As a poet of critical imagination and integrity, Holland proves at ease with both the ethereal atmospherics of Eno's arrangements and the elastic sonic power Diode wields with energetic bravura.

Read more of my review of The King Krill at The Quietus.com:  http://thequietus.com/

MP3 Album of Old Man Diode and Rick Holland: The King Krill at Amazon.com:  The King Krill