Wednesday, July 01, 2015

Self, Nature, Sound

Observe the impress of nature upon the human world, as opposed to the common perspective.


Cultures move toward the natural world and away from natural reality according to the attitudes of the moment, but of all artistic expressions, the content of musical works is generally confined to the realm of the personal and social.

Whereas surrealism, pop art, and other emotionally charged forms like abstract expressionism have their musical counterparts in such styles as jazz fusion music, one must look to the classical tone poem and modern minimalism to get even a limited sense of the art of sound being used to convey objective perceptions of the world.  There are few analogous modes of a musical nature for concepts such as those of the "still life" form, landscape painting, or impressionism, because it is a matter of exhaustive theorizing and experimentation to come to terms with such concepts as an individual artist.

But, having settled these matters, the composer is exploring unique and fascinating sonic terrain while experiencing the unprecedented effects of sounds that are at once musical, non-musical, and engaged with human reality and the natural world in balanced measure.