Changes in culture and changes in individual perception lead to the emergence of unexpected forms.
At first these forms are perceived as strange and unprecedented; then their origins become apparent as their effects are felt and their connections to sometimes obscure traditions become clear.
The composer acts according to the historical impulses at play in the world of outward, objective experience as well as those intimate and dynamic forces found within the seemingly infinite world heard and conceived in the inner ear of imagination.
At first these forms are perceived as strange and unprecedented; then their origins become apparent as their effects are felt and their connections to sometimes obscure traditions become clear.
The composer acts according to the historical impulses at play in the world of outward, objective experience as well as those intimate and dynamic forces found within the seemingly infinite world heard and conceived in the inner ear of imagination.
