What appears spontaneous comes about as the result of innumerable forces and conditions.
As a composer, I am interested in gesture defined by environment, that is to say, by emerging and expanding elements of tone and setting. This is designed as a transformational process marked by an equilibrium of sustained, evolving aural imagery.
Any choices in performance or production that may modify and augment the total effect of the work are subjective in that they reflect aesthetic sensibilities, yet their implementation is determined solely by the auditory elements of the work itself. Interference with the unfolding expression is incompatible with its outcome.
As a composer, I am interested in gesture defined by environment, that is to say, by emerging and expanding elements of tone and setting. This is designed as a transformational process marked by an equilibrium of sustained, evolving aural imagery.
Any choices in performance or production that may modify and augment the total effect of the work are subjective in that they reflect aesthetic sensibilities, yet their implementation is determined solely by the auditory elements of the work itself. Interference with the unfolding expression is incompatible with its outcome.
