Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Tuesday, November 20, 2012

Sounds of Place and Perspective

Musical designs evocative of auditory imagery as it is perceived to emerge and evolve in the natural course of everyday activities need not be any less interesting than those that bring to mind particular experiences in the imagination of the listener or composer.


Previous Black Mountain School recordings, inspired by particular times and places, suggest the end of summer (Phenomena), the atmospheric settings of urban and rural China (Night Traffic and The Celestial Way), and perspectives altered by technological and transcendental viewpoints (Delmarva and Elevation, respectively).

The next album, Environs I, is the first of a series composed in a manner complementary to the previous extended ambient pieces without reference to specific settings and events. Thus, as far as possible, these works may enhance the environment and imagination of the listener directly. 

Sunday, December 18, 2011

Depictions, Directions

Before an audience sees or listens from a different perspective, the artist must do so.


The expansion of Cubist expression into architectural and sculptural forms, particularly in Prague during the early twentieth century, demonstrated an openness and awareness of the potential of the Modernist perspective among artists and designers, which, coupled with the historical Czech artistic perspective with its emphasis on complex subtlety in decorative forms, produced unique and extraordinary works of great beauty. 

In music, perspectives expand as well, cultures change, and new forms emerge to challenge artist and audience.

Tuesday, September 06, 2011

Vision and Sound

A perception of the atmosphere of an environment is the result of the setting, its contents and surroundings.



Certainly atmospheres are imprinted with the human touch, contributing to emotional states of being associated with various settings.    The imprint of Frank Lloyd Wright reflects the architect of the Fallingwater house in ways subtle as well as extravagant.  The flow, rush, and fall of the stream there generates rich and nuanced sounds, a kind of natural music.

Our own surroundings reflect attitude and mood as well, and our own choices in music form a part of the setting that has greater importance than we might think.  The touch of the creative musical artist goes far to enhance those atmospheres in which we may feel exhilarated or at ease.