Sounds in combinations form constructions, and these, in juxtaposition with other sounds, evolve.
This evolution develops an extended structure, or design, based upon simple tones or other chosen sound events. These may then be increased or decreased in scope by adding or removing elements, and continued to any duration desirable according to the aesthetic judgement of the composer.
The total effect of such compositions varies with the perceptual awareness of the listener, who is not directed to the specific experience of "the movement of sound through time".
This evolution develops an extended structure, or design, based upon simple tones or other chosen sound events. These may then be increased or decreased in scope by adding or removing elements, and continued to any duration desirable according to the aesthetic judgement of the composer.
The total effect of such compositions varies with the perceptual awareness of the listener, who is not directed to the specific experience of "the movement of sound through time".
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