In musical terms the idea of order relates to a perceptual recognition of sequences.
Such sequences are critical even in the most complex works, and represent exquisite degrees of human design. These arrangements of musical elements are systematic and purposeful.
Nonetheless, alternatives to these designs need not produce chaos and noise. They may instead be composed as representations of any number of processes of objective reality for which there are no human equivalents, specifically such things as the motion of atmospheric currents, tidal ebb and flow, erosion of stone, and other phenomena.
Such sequences are critical even in the most complex works, and represent exquisite degrees of human design. These arrangements of musical elements are systematic and purposeful.
Nonetheless, alternatives to these designs need not produce chaos and noise. They may instead be composed as representations of any number of processes of objective reality for which there are no human equivalents, specifically such things as the motion of atmospheric currents, tidal ebb and flow, erosion of stone, and other phenomena.
