Listening implies expectations, usually emotional and often motivated by impulse.
But there are other ways to listen, just as there are other ways to compose with sound.
Begin with reason; explore the contemplative and subtle, the objective atmospheres, as opposed to the common inventions of subjective imagination.
But there are other ways to listen, just as there are other ways to compose with sound.
Begin with reason; explore the contemplative and subtle, the objective atmospheres, as opposed to the common inventions of subjective imagination.
