The fish, it has been said, is not aware of the presence of water.
The discriminating listener is constantly aware of the sounds of art subverted by "programming". It is the same set of generic structures adorned with different characterizations and attitudes of style. The artist must transcend this, and provide the listener the opportunity to acclimate to a different state of auditory awareness.
Yet it is effortless to recognize the uniqueness of these aesthetic atmospheres, composed, as it were, of "reverse-engineered" representations of perceptual sound environments.
The discriminating listener is constantly aware of the sounds of art subverted by "programming". It is the same set of generic structures adorned with different characterizations and attitudes of style. The artist must transcend this, and provide the listener the opportunity to acclimate to a different state of auditory awareness.
Yet it is effortless to recognize the uniqueness of these aesthetic atmospheres, composed, as it were, of "reverse-engineered" representations of perceptual sound environments.
