One hears of the mood of the country and the tone of cultural discourse as factors in critical events.
Perhaps, then, it is worthwhile to consider ways in which the sounds of various cultural environments, including music and its reduction to a continuum of fragments that may be heard throughout all media, similarly reflect, influence, or direct the consciousness of percipients.
Absurdly, this is considered a "dangerous" idea.
Perhaps, then, it is worthwhile to consider ways in which the sounds of various cultural environments, including music and its reduction to a continuum of fragments that may be heard throughout all media, similarly reflect, influence, or direct the consciousness of percipients.
Absurdly, this is considered a "dangerous" idea.
