Encounter and absorb real auditory information within real environments.
Turn this process, rather than those associated with musical arrangements, into an organizational prototype for composition of sound. The result is a tangible atmosphere developing in flux as aural imagery surrounding the percipient, whether listener or composer.
Turn this process, rather than those associated with musical arrangements, into an organizational prototype for composition of sound. The result is a tangible atmosphere developing in flux as aural imagery surrounding the percipient, whether listener or composer.
