The nature of sound art encompasses percipient hearing and variable depths of experience.
On balance, objective auditory vibrations and designs commingle with subjective knowledge, feeling, and memory. Within these fields composer and listener communicate, heedless of the course of time, unfettered by limits of space.
On balance, objective auditory vibrations and designs commingle with subjective knowledge, feeling, and memory. Within these fields composer and listener communicate, heedless of the course of time, unfettered by limits of space.
