The spontaneous gesture, if genuine, opens and releases expression, and communicates it in an effortless manner.
If, in fact, the spontaneity is false, and a mere expression of impulse, it denies, rather than asserts, vital urgency, and obscures the clarity it intends to convey.
In music, originating more often than not in self-styled avant-garde circles, the result is vacuous, a transparent artifice, and an inconsequential distraction that diminishes the work.
The impromptu gesture in sound will impress the listener as being free, and moreover, in accord with the consciously developed elements of a work, being equally, fundamentally, meaningful.
If, in fact, the spontaneity is false, and a mere expression of impulse, it denies, rather than asserts, vital urgency, and obscures the clarity it intends to convey.
In music, originating more often than not in self-styled avant-garde circles, the result is vacuous, a transparent artifice, and an inconsequential distraction that diminishes the work.
The impromptu gesture in sound will impress the listener as being free, and moreover, in accord with the consciously developed elements of a work, being equally, fundamentally, meaningful.
