A thousand observations trace a stream of thought.
Developed throughout are propositions concerning sound as an art medium, sound forms contra music, consciousness informed by the auditory sense, the contrasting natures of hearing and listening, the aesthetics of sound manipulation, peculiar perspectives on ambient music and pop culture, and among other thoughts, the concepts of moral reason, the permanent things, and the good.
Interestingly, from the point of view of composer and listener, any of these notes may be accessed at random and combined to further suggest ever-expanding concepts as well as larger, perhaps more valuable, questions.
Developed throughout are propositions concerning sound as an art medium, sound forms contra music, consciousness informed by the auditory sense, the contrasting natures of hearing and listening, the aesthetics of sound manipulation, peculiar perspectives on ambient music and pop culture, and among other thoughts, the concepts of moral reason, the permanent things, and the good.
Interestingly, from the point of view of composer and listener, any of these notes may be accessed at random and combined to further suggest ever-expanding concepts as well as larger, perhaps more valuable, questions.
