Release sounds from common structures.
Let them flow without consideration of tempo, beginning, middle, end. At first the effect is strange, and understood, through cultural conditioning, within the narrow confines of disorder, or falling apart.
Yet with subtle framing and a minimum of interference on the part of the composer, these sound elements may evolve into forms and patterns of aesthetic beauty, and this points in the direction of the greater order of things.
Let them flow without consideration of tempo, beginning, middle, end. At first the effect is strange, and understood, through cultural conditioning, within the narrow confines of disorder, or falling apart.
Yet with subtle framing and a minimum of interference on the part of the composer, these sound elements may evolve into forms and patterns of aesthetic beauty, and this points in the direction of the greater order of things.
