Every setting offers sequences of perceptions.
Every sequence is uniquely that of the percipient.
In terms of sound, music- including cinematic sound design- is typically arranged to attract and hold the attention while directing it through a series of auditory events.
The compositions under discussion here, as the listener may notice in sampling them, are arranged to reflect natural perceptual fields in which the percipient is afforded opportunities to direct personal attention at will within aesthetically pleasing aural environments.
Every sequence is uniquely that of the percipient.
In terms of sound, music- including cinematic sound design- is typically arranged to attract and hold the attention while directing it through a series of auditory events.
The compositions under discussion here, as the listener may notice in sampling them, are arranged to reflect natural perceptual fields in which the percipient is afforded opportunities to direct personal attention at will within aesthetically pleasing aural environments.
