The art of listening recognizes beauty in a combination of elements, including thought and feeling as well as environmental acoustical processes and properties.
Moving through the public square the listener encounters myriad sonic atmospheres, some static and confined to particular areas, others relatively unfettered, and all perceived within the dynamic of the listener's activities. Within the personal environment, the listener may exercise greater influence over the listening experience, yet various aspects of the quality of sound, as well as movement within the more intimate setting, similarly engage the mind and emotions.
If the composer's aims are finely delineated and artistic sound works, it is absolutely essential to give consideration to the perceptivity, desirable state of mind, and consciousness of the potential listener with the same attention given to that of the fabrication of the creative auditory environment.
Moving through the public square the listener encounters myriad sonic atmospheres, some static and confined to particular areas, others relatively unfettered, and all perceived within the dynamic of the listener's activities. Within the personal environment, the listener may exercise greater influence over the listening experience, yet various aspects of the quality of sound, as well as movement within the more intimate setting, similarly engage the mind and emotions.
If the composer's aims are finely delineated and artistic sound works, it is absolutely essential to give consideration to the perceptivity, desirable state of mind, and consciousness of the potential listener with the same attention given to that of the fabrication of the creative auditory environment.
