Composition with sound can often be an exploration carried forward by forces of memory.
To "paint" with tones, lines, and placement of sounds evokes impressions that can be traced to their origins and projected toward unknown outcomes, neither to necessarily fail nor thrive, but to collapse or expand, supported not by rhythm, melody, harmony or meter, but by the impetus of vibrations and combinations that extend and diversify as they develop.
To "paint" with tones, lines, and placement of sounds evokes impressions that can be traced to their origins and projected toward unknown outcomes, neither to necessarily fail nor thrive, but to collapse or expand, supported not by rhythm, melody, harmony or meter, but by the impetus of vibrations and combinations that extend and diversify as they develop.
