Consider the shapes and intensities of sound waves along with the position of the percipient within the sonic field.
The perceptions of the stationary listener differ from those of the mobile one, for whom the totality of the listening experience undergoes change with movement.
The majority of musical performances and recordings are designed in terms of arrangements of direct, focused listening, including the free-flowing area of the dance floor.
Consider, conversely, recordings designed for the mobile listener, and sound performances structured for the mobility of both listeners and sound sources.
The perceptions of the stationary listener differ from those of the mobile one, for whom the totality of the listening experience undergoes change with movement.
The majority of musical performances and recordings are designed in terms of arrangements of direct, focused listening, including the free-flowing area of the dance floor.
Consider, conversely, recordings designed for the mobile listener, and sound performances structured for the mobility of both listeners and sound sources.
