Sound is naturally perceived as a complex of surrounding auditory events.
Even though one may be inculcated by experience to understanding music as linear movement of manipulated sounds through time, the listener may easily find non-linear, avant-garde yet artistic, sonic atmospheres aesthetically pleasing.
The phenomenon of hearing itself implies the recognition of sound events in this manner, requiring no special preparation, esoteric perspective or attitude to enjoy the experience of listening to works of such character.
Even though one may be inculcated by experience to understanding music as linear movement of manipulated sounds through time, the listener may easily find non-linear, avant-garde yet artistic, sonic atmospheres aesthetically pleasing.
The phenomenon of hearing itself implies the recognition of sound events in this manner, requiring no special preparation, esoteric perspective or attitude to enjoy the experience of listening to works of such character.
