Every recording in existence is potentially within access.
The listener's knowledge and perception, being effectively without limits, depend upon well-reasoned discernment in approaching musical experience. It is with this understanding that the composer is impelled by the historical forces of music and sound art, yet does not follow.
The listener's knowledge and perception, being effectively without limits, depend upon well-reasoned discernment in approaching musical experience. It is with this understanding that the composer is impelled by the historical forces of music and sound art, yet does not follow.
