The listener will perceive, and will respond in terms of perception as well as subjectivity.
Among numerous aspects of my compositions it is possible to note that there is no rhythm or tune to follow; rather, there is a constantly evolving dynamic of emergence, expansion, and dispersal. There is no drumming present, though some percussive forms or patterns may occasionally be evident.
The styling is ambient in form, and so designed to enhance living and working environments while contributing to a contemplative state of mind. But these are superficial, if significant, details of less importance than the aesthetics of tone manipulation, shaping, shading, juxtaposing and combining that ultimately yield the total effects of the works, and they are in constant flux.
What matters is to listen, and to hear, with an open mind and the inner ear.
Among numerous aspects of my compositions it is possible to note that there is no rhythm or tune to follow; rather, there is a constantly evolving dynamic of emergence, expansion, and dispersal. There is no drumming present, though some percussive forms or patterns may occasionally be evident.
The styling is ambient in form, and so designed to enhance living and working environments while contributing to a contemplative state of mind. But these are superficial, if significant, details of less importance than the aesthetics of tone manipulation, shaping, shading, juxtaposing and combining that ultimately yield the total effects of the works, and they are in constant flux.
What matters is to listen, and to hear, with an open mind and the inner ear.
