The phenomena of existence present themselves, to be perceived and apprehended as real.
Certainly this is clear, yet it does not go without saying because appearances may be misinterpreted, sometimes intentionally, to support one's perspective or world-view, for example. And nothing good can come of it.
Rather than stoke the fires of temperament, my intentions are to design sound works that may, in fact, subdue emotion; rather than create linear music, I establish aural settings and allow sounds to emerge as they are perceived in everyday life. Though these pieces are directed and stylized toward enhancement of aesthetic effect, the more contrived and artificial nature of linear music, in contrast, can be distinctly observed and noted by the interested listener.
Certainly this is clear, yet it does not go without saying because appearances may be misinterpreted, sometimes intentionally, to support one's perspective or world-view, for example. And nothing good can come of it.
Rather than stoke the fires of temperament, my intentions are to design sound works that may, in fact, subdue emotion; rather than create linear music, I establish aural settings and allow sounds to emerge as they are perceived in everyday life. Though these pieces are directed and stylized toward enhancement of aesthetic effect, the more contrived and artificial nature of linear music, in contrast, can be distinctly observed and noted by the interested listener.
