Set an emotional and intellectual paradigm for the understanding of music as an experience.
Turn from that understanding of music, toward an idea of no music, in contrast to something that can be called non-music; then consider sounds outside those common models or frameworks of music, with environmental aural imagery, tones and patterns serving as the the fundamentals for such sonic designs as they may be heard in diverse contexts.
Sever the significance of time, then place all these perspectives into simultaneous flux.
Turn from that understanding of music, toward an idea of no music, in contrast to something that can be called non-music; then consider sounds outside those common models or frameworks of music, with environmental aural imagery, tones and patterns serving as the the fundamentals for such sonic designs as they may be heard in diverse contexts.
Sever the significance of time, then place all these perspectives into simultaneous flux.
