When sound mirrors nature, the aural patterns move according to the phenomena of the surrounding world, developing as do atmospheric and seasonal cycles, for example, as opposed to imitating "natural" sounds.
The composer may also follow patterns suggested by other arts and artists in any media, or by, for instance, architectural constructions and the sounds associated with specifically human or cultural ideas, events and environments.
Imitation alone can not bring forth that uncanny aspect of simultaneous strangeness and recognition that makes it possible for the experience of art to elevate awareness.
This demands the force of individual expression.
The composer may also follow patterns suggested by other arts and artists in any media, or by, for instance, architectural constructions and the sounds associated with specifically human or cultural ideas, events and environments.
Imitation alone can not bring forth that uncanny aspect of simultaneous strangeness and recognition that makes it possible for the experience of art to elevate awareness.
This demands the force of individual expression.
