Much of what is seen and heard happens across time and distance in forms of electronically generated imagery.
Engaging attention with sensations, most particularly those of sight and sound, forming impressions and recognizing a sense of presence, one may apprehend the reality of experience.
But not all impressions, and foremost among them those delivered through technological media, are free of ambiguity.
As one may choose discernment of beauty, so also may one be open to truth. For the artist and the composer, this perceptivity is of peculiar moment, in the determination of the value of replacing the past or discovering the future.
But not all impressions, and foremost among them those delivered through technological media, are free of ambiguity.
As one may choose discernment of beauty, so also may one be open to truth. For the artist and the composer, this perceptivity is of peculiar moment, in the determination of the value of replacing the past or discovering the future.
