Environs I, as a musical composition, is designed to evoke impressions of multiple perspectives.
The listener may observe, for example, variations of the following: auditory imagery within a sequence of sounds; within such aural events, a series of complementary sound shadings; in context with these sound combinations, tones in linear or asymmetric patterns and peripheral clusters, and additionally, over time, shifting points of view in perceiving the work through direct and indirect attention, according to the circumstances of each listening experience.
The listener may observe, for example, variations of the following: auditory imagery within a sequence of sounds; within such aural events, a series of complementary sound shadings; in context with these sound combinations, tones in linear or asymmetric patterns and peripheral clusters, and additionally, over time, shifting points of view in perceiving the work through direct and indirect attention, according to the circumstances of each listening experience.
