Movement over time is perceived in music as a flux or flow of sounds ordered to propulsive beats and rhythms, tightly synchronized and controlled.
Consider, in contrast, a continuity of sounds more deeply reflective of the manner of fluid dynamics, with internal currents, variations in pressure and depth, velocity, temperature, and other associated phenomena.
Rather than flowing according to the framework of an arrangement, as in a channel or canal, such a concept opens, alters, and expands the settings and scenarios in which musical movements occur, producing multifaceted forms-- tone clusters and lines, for example-- and directions, as does water in rivers, lakes, and oceans.
Consider, in contrast, a continuity of sounds more deeply reflective of the manner of fluid dynamics, with internal currents, variations in pressure and depth, velocity, temperature, and other associated phenomena.
Rather than flowing according to the framework of an arrangement, as in a channel or canal, such a concept opens, alters, and expands the settings and scenarios in which musical movements occur, producing multifaceted forms-- tone clusters and lines, for example-- and directions, as does water in rivers, lakes, and oceans.