Fragments of music pass through consciousness throughout the waking hours.
Sometimes these fragments linger after encountering a piece of music, and other times they simply arise spontaneously out of memory.
Consider whether this is a positive or negative effect, whether it is a pleasant diversion or a distraction, a disturbance of concentration, focus, and consciousness generally. Certainly it is a common effect, and not abnormal in its commonality, but neither is it necessarily desirable.
An interesting secondary effect of the peculiar transformation ambient compositions discussed here is that the listener does not experience these "ear-worm" auditory perceptions while listening to them. They apparently disappear immediately, as if unhooked or detached from the listener's awareness, and the compositions do not take this form later, after listening.
It is a different way of encountering musical sounds altogether, reflecting prolonged efforts in the way of experimentation, contemplative discipline and aesthetic observation.
Sometimes these fragments linger after encountering a piece of music, and other times they simply arise spontaneously out of memory.
Consider whether this is a positive or negative effect, whether it is a pleasant diversion or a distraction, a disturbance of concentration, focus, and consciousness generally. Certainly it is a common effect, and not abnormal in its commonality, but neither is it necessarily desirable.
An interesting secondary effect of the peculiar transformation ambient compositions discussed here is that the listener does not experience these "ear-worm" auditory perceptions while listening to them. They apparently disappear immediately, as if unhooked or detached from the listener's awareness, and the compositions do not take this form later, after listening.
It is a different way of encountering musical sounds altogether, reflecting prolonged efforts in the way of experimentation, contemplative discipline and aesthetic observation.
