The concept of sound as art has few limits, yet it is so broad as to be essentially indefinable.
In musical terms, there are numerous variations between styles and genres and starkly evident differences between music and noise. Fundamentally, however, most listeners will easily identify elements of rhythm and percussion, melody, harmony, lead instrument lines and repeated phrases as musical.
Compositions emphasizing various degrees of formlessness, unpredictable patterns, instrumental colors and shadings, diversity of textures, and collage effects in place of the aforementioned elements are also possessed of beauty and charm to listeners, particularly in ambient modes, while they do not conform to traditional ideas associated with the experience of music.
In literature, the characteristic distinctions between prose and poetry are clear; with music, perhaps a similar differentiation will be made, in time, to contrast traditional musical forms with those designed to be appreciated and enjoyed according to other paradigms.
In musical terms, there are numerous variations between styles and genres and starkly evident differences between music and noise. Fundamentally, however, most listeners will easily identify elements of rhythm and percussion, melody, harmony, lead instrument lines and repeated phrases as musical.
Compositions emphasizing various degrees of formlessness, unpredictable patterns, instrumental colors and shadings, diversity of textures, and collage effects in place of the aforementioned elements are also possessed of beauty and charm to listeners, particularly in ambient modes, while they do not conform to traditional ideas associated with the experience of music.
In literature, the characteristic distinctions between prose and poetry are clear; with music, perhaps a similar differentiation will be made, in time, to contrast traditional musical forms with those designed to be appreciated and enjoyed according to other paradigms.
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