There is something about music repeating itself in one's consciousness, unbidden, that is not to be welcomed.
It is as if one's thoughts might be suppressed, one's emotional state might be compromised or falsified.
As a musical arranger involved in recording studio experimentation, and moving away from the creation of music using guitars, drums, vocals and "hooks", I grew interested in music that did not conform to the framework of popular songs or function as a setting for improvisation. The nebulous and unpredictable appealed to my sense of form, as did a tone and mood most conducive to contemplative listening. Utilizing developing technology, I grew capable of fabricating generative and ambient forms that sustained attention while enhancing the environment for listening and activity as well. In this way what I think of as "my music" evolved into an effort of continuing interest, particularly as it contributes to a state of mind that is both focused and at ease.
What I consider to be Futurist music, given its origins in ambient music as an art form, appears to be without boundaries, not limited by genre, and unburdened by common definitions of music.
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