Culture may sometimes be viewed in artistic terms as a nexus of memory, history, events in progress, and projections.
From such a vantage point both personal and impersonal forces are at play in the organization and execution of artistic pieces, regardless of form. I think in terms of applying various elements of visual presentations to soundworks, and I am cognizant of the development of electronic technology in the course of the past half-century through both literature and criticism of the subject as well as by direct experience. While this leads me to listen and compose outside the constraints of what might be called the fine arts as well as those that reflect the popular imagination, it nonetheless demands adherence to those peculiar ideas, theories, and methods that result in desirable artistic outcomes, and therefore working within limits of my own design.
From such a vantage point both personal and impersonal forces are at play in the organization and execution of artistic pieces, regardless of form. I think in terms of applying various elements of visual presentations to soundworks, and I am cognizant of the development of electronic technology in the course of the past half-century through both literature and criticism of the subject as well as by direct experience. While this leads me to listen and compose outside the constraints of what might be called the fine arts as well as those that reflect the popular imagination, it nonetheless demands adherence to those peculiar ideas, theories, and methods that result in desirable artistic outcomes, and therefore working within limits of my own design.
