Combinations of tones and patterns move within physical settings and internal, perceptual terrains.
From the source, or sensibilities and vision of the composer, sound designs emerge through varied processes of selection, sound synthesis and juxtaposition of elements.
The subjective impressions of tone, mood, and atmosphere are considered aesthetically; additional evaluations of objective aural properties, including volume, intensity, equalization, compression, and such effects as contribute to dynamic spatial qualities of the composition are brought to bear upon the work.
The finished work resulting from these artistic and technological processes will suggest multiple sensory and emotional impressions, including color and shading, contrast, movement, and texture, as well as evoking memory and stimulating the imagination.
From the source, or sensibilities and vision of the composer, sound designs emerge through varied processes of selection, sound synthesis and juxtaposition of elements.
The subjective impressions of tone, mood, and atmosphere are considered aesthetically; additional evaluations of objective aural properties, including volume, intensity, equalization, compression, and such effects as contribute to dynamic spatial qualities of the composition are brought to bear upon the work.
The finished work resulting from these artistic and technological processes will suggest multiple sensory and emotional impressions, including color and shading, contrast, movement, and texture, as well as evoking memory and stimulating the imagination.
