The art of transformation ambient composition echoes awareness.
As field recordings reproduce auditory events, sound designs may be composed in ways that reproduce diverse aspects of auditory perception. The ultimate end of this process is a fullness of experience involving both active listening and passive hearing in the course of interacting with the musical expression.
The nature of such compositions, being suggestive rather than specific, lends an impression of being somewhat detached from linear time, and, with repeated listening, an impression of never sounding exactly the same.
As field recordings reproduce auditory events, sound designs may be composed in ways that reproduce diverse aspects of auditory perception. The ultimate end of this process is a fullness of experience involving both active listening and passive hearing in the course of interacting with the musical expression.
The nature of such compositions, being suggestive rather than specific, lends an impression of being somewhat detached from linear time, and, with repeated listening, an impression of never sounding exactly the same.
